Oscar-Winning Studio’s Pioneering Virtual Production Technology Built
With Autodesk Software
SAN RAFAEL, Calif.--(BUSINESS WIRE)--Feb. 7, 2012--
Virtual production, driven in a large part by real-time Digital
Entertainment Creation (DEC) software from Autodesk,
Inc. (NASDAQ:ADSK), has evolved significantly since the process was
used for the landmark release of “Avatar” in 2009. Peter Jackson’s New
Zealand-based Weta Digital studio, long known for its technological
innovation, used Autodesk software to take the virtual production
process to new levels of real-time performance capture for the animated
feature film “The Adventures of Tintin.”
The process of creating a scene from the Bagghar marketplace where Tintin and Captain Haddock are being followed by the twins Thomson and Thompson for the film "The Adventures of Tintin" (left to right: motion capture take, camera diagnostic, cloth and hair pass and final image) (C) 2011 Paramount Pictures, All Rights Reserved. Image courtesy of Weta Digital. (Photo: Business Wire)
Steven Spielberg’s take on the character created by Belgian artist Hergé
is an unqualified box office and critical success — with a growing box
office gross of over $360 million worldwide — and is one of the 20
highest grossing films of 2011. Reviews have praised the immersive
stereoscopic 3D experience together with the unique combination of
performance capture and photorealistic filmmaking for an animated movie.
“The ability to digitally capture the subtleties of an actor’s
performance and to move digital environment data between pre-production,
production and post-production has opened up the moviemaking
experience,” said Joe Letteri, Weta Digital Senior VFX Supervisor.
“We’re able to build a virtual set that gives directors the ability to
construct shots with the actors in the environment, just like they would
on a live-action set. The data captured on set is used for lighting,
modeling, textures and the rest of the post-production process. While
the underlying technology is similar to what we used on ‘Avatar,’ we had
a better understanding of the tools we needed and were able to realize
workflow improvements that enabled us to streamline the movement of
capture data from the set to final production.”
The virtual moviemaking process for “Tintin” included Weta Digital
artists previsualizing and building the digital environment of the film
in low resolution using Autodesk
Maya 3D animation and visual
effects software and loading that data into the virtual environment.
The live performance of the actors on set was captured using Autodesk
MotionBuilder real-time 3D character animation software, providing a
consistent platform that enabled production teams to more rapidly
create, iterate and refine the look of the movie throughout the
production. Applying virtual production techniques to a fully
computer-generated (CG) film meant Weta Digital was able to create an
on-set environment that connected to the visual effects process and
allowed Steven Spielberg to work the way he would on a live-action set.
He was able to craft his shots and get the take he was looking for, all
within the context of the world of “Tintin.” The actors were not only
able to interact with each other live on-set, they could interact with
props and fully inhabit the world in body and in voice.
“Autodesk’s latest technology is enabling filmmakers to enter an
incredible new world of moviemaking,” said Marc Petit, senior vice
president, Autodesk Media & Entertainment. “It is helping make the
techniques accessible to a broader range of filmmakers, and enabling
them to better express and exhibit their artistic intent. What Weta’s
artists and innovators have been able to accomplish by animating and
imbuing these beloved fictional animated characters with human
performance is truly spectacular.”
“The Adventures of Tintin” is certainly the new high-water mark for
virtual productions and recently won the Golden Globe for Best Animated
Feature Film. “Weta Digital strives to bring innovative technology to
further what is visually possible,” said Sebastian Sylwan, chief
technology officer, Weta Digital. “Our technology requirements tend to
be complex and we work with research institutions, industry partners and
technology leaders like Autodesk to create the most sophisticated tools
we can for our artists. For ‘The Adventures of Tintin,’ we benefited
from customized technology support from Autodesk to help us get the
virtual production process running as efficiently as possible.”
To find out more about how Weta Digital used Autodesk software in the
making of “Tintin,” visit: http://area.autodesk.com/tintin
About Autodesk
Autodesk, Inc., is a leader in 3D
design, engineering and entertainment software. Customers across the
manufacturing, architecture, building, construction, and media and
entertainment industries -- including the last 16 Academy Award winners
for Best Visual Effects -- use Autodesk software to design, visualize
and simulate their ideas. Since its introduction of AutoCAD software in
1982, Autodesk continues to develop the broadest portfolio of
state-of-the-art software for global markets. For additional information
about Autodesk, visit www.autodesk.com.
Autodesk, AutoCAD, Maya and MotionBuilder are registered trademarks
or trademarks of Autodesk, Inc., and/or its subsidiaries and/or
affiliates in the USA and/or other countries. Academy Award and Oscar
are registered trademarks of the Academy of Motion Picture Arts and
Sciences. Golden Globe is the registered trademark and service mark of
the Hollywood Foreign Press Association. All other brand names, product
names or trademarks belong to their respective holders. Autodesk
reserves the right to alter product and services offerings, and
specifications and pricing at any time without notice, and is not
responsible for typographical or graphical errors that may appear in
this document.
© 2012 Autodesk, Inc. All rights reserved.
Photos/Multimedia Gallery Available: http://www.businesswire.com/cgi-bin/mmg.cgi?eid=50159447&lang=en
Source: Autodesk, Inc.
Autodesk, Inc.
Rama Dunayevich, 415-547-2472
rama.dunayevich@autodesk.com
or
Karen
Raz, 310-450-1482
karen@razpr.com